Harvey begins her sculptural process by making scans from life. These scans mutate as they are combined with others from her extensive library: 3D models based on her own clay sculptures, works of imagination digitally sculpted, and artworks encountered in museums. This series of maquettes are referenced by the artist as 3D sketches, studies on form and character. The works draw heavily from Hellenistic art, using the ethos of syncretism as a way of working. As Harvey molds the works, she also molds characters each with their own narratives. Each nexus of elements produces several sculptures; Harvey continues reconfiguring the pieces until each character’s story is complete.